“In mystical experience, the soul is raised up from the visible realm to where visibility itself vanishes and the field of the invisible opens: such is the Dionysian sundering of the bonds of the visible. And after soaring up into the invisible, the soul descends again into the visible – and then and there, before its very eyes, are those real appearances of things: ideas” – P. Florensky (1996), Iconostasis, p. 45.
“At the crossing of the boundary into the upper world, the soul sheds – like outworn clothes – the images of our everyday emptiness, the psychic effluvia that cannot find a place above, those elements of our being that are not spiritually grounded. At the point of descent and re-entry, on the other hand, the images are experiences of mystical life crystallized out on the boundary of two worlds” – P. Florensky (1996), Iconostasis, pp. 44-45.
“In creating a work of art, the psyche or soul of the artist ascends from the earthly realm into the heavenly; there, free of all images, the soul is fed in contemplation by the essences of the highest realm, knowing the permanent noumena of things; then, satiated with this knowing, it descends again to the earthly realm. And precisely at the boundary between the two worlds, the soul’s spiritual knowledge assumes the shape of symbolic imagery: and it is these images that make permanent the work of art” – P. Florensky (1996), Iconostasis, p. 44.